Benjamin West PRA, A Collection Of Prints, From Pictures Painted For The Purpose Of Illustrating The Dramatic Works Of Shakspeare, By The Artists Of Great-Britain. Volume I. (II.), 25 March 1793.
Line engraving. 444 mm x 593 mm. © Photo: Royal Academy of Arts, London. Photographer: Prudence Cuming Associates Limited.
This image is not available to download. To licence this image for commercial purposes, contact our Picture Library at picturelibrary@royalacademy.org.uk
King Lear: Act III Scene IV, 25 March 1793
After Benjamin West PRA (1738 - 1820)
RA Collection: Art
444 mm x 593 mm
A Collection Of Prints, From Pictures Painted For The Purpose Of Illustrating The Dramatic Works Of Shakspeare, By The Artists Of Great-Britain. Volume I. (II.) - London,: [1803]
Start exploring the RA Collection
- Explore art works, paint-smeared palettes, scribbled letters and more...
- Artists and architects have run the RA for 250 years.
Our Collection is a record of them.
Related articles
-
![Sir Joshua Reynolds, PRA, pocket book]()
Our Collection
12 days ago
RA Collections Decolonial Research: Sir Joshua Reynolds’ Pocket Books
Since 2020 our team has been investigating the links between the RA and its colonial past.
-
![RA cast display installation]()
Our Collection
9 months ago
Video: Historic casts are re-installed at the RA Schools
After years in storage, watch as our cast collection is re-installed around the RA Schools.
-
![Richard Cosway RA, Richard and Maria Cosway, and Ottobah Cugoano (detail)]()
Our Collection
> 1 year ago
Untold Stories
Recent research reveals how the Royal Academy’s founding artists worked amidst Britain’s imperial expansion in the 18th century, the transatlantic slave trade, and a growing abolitionist movement.
-
![Sir Joshua Reynolds PRA,, Self-portrait of Sir Joshua Reynolds, PRA]()
Our Collection
< 2 years ago
Creative inspiration today from the first President of the Royal Academy
The RA’s founding President Joshua Reynolds may have shaken up the art world when he delivered his ‘Discourses’ lectures, but are they still relevant now? We take a closer look at what artists and art-lovers can learn from the series today.
